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Feb 27, 2014 Roman Polanski’s film is a highly sophisticated adaptation of Thomas Hardy’s classic novel, in both its faithfulness and its divergences.

Feb 27, 2014 Paolo Sorrentino was in the Criterion office recently to do publicity for his Oscar-nominated film The Great Beauty, and while he was here we thought we’d ask this cinephile a few questions about movies. In this short, casual interview, he...

Feb 25, 2014 A testament to Steven Soderbergh’s versatility, this story of a boy growing up during the Great Depression is a tender but tough-minded look at a child’s inner world.

Feb 24, 2014 A film of explosive passions, Abdellatif Kechiche’s coming-of-age triumph is about much more than just physical pleasure.

Feb 19, 2014 Alfred Hitchcock’s second Hollywood film, Foreign Correspondent, is a killer caper—but due to what was going on in the world during its production, it’s much more than that. Following an American journalist investigating an escalating war in Europe, the film...

Feb 18, 2014 The immediacy of an ongoing war electrifies Alfred Hitchcock’s suspenseful second Hollywood feature.

Feb 17, 2014 Flailing fathers, anxious mothers, and their moody offspring—these characters may have tails, but they’re Wes Anderson people through and through.

Feb 13, 2014 Hiroshi Teshigahara may have never quite become a household name, but this uniquely talented Japanese filmmaker, who specialized in existential dramas peppered with surreal avant-garde touches, received a large dose of international acclaim for his 1964 Woman in the Dunes,...

Feb 11, 2014 Interviews, puppets, and props—oh my! Check out this new trailer for a sneak preview of what our bursting-at-the-seams special edition of Wes Anderson’s Fantastic Mr. Fox has to offer, from behind-the-scenes footage to a cartoon Jarvis Cocker.

Feb 6, 2014 Did You See This?• B-movie beauts • Meet “New Queer Cinema” coiner B. Ruby Rich. • Get to know your Derek Jarman. • Terry Gilliam at the movies • Alphaville and New Wave genre films • Writing by Charlie Chaplin—formal...

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