The Criterion Collection
Essays
Aug 13, 2013 — John Frankenheimer burrows into the insidious side of the American sixties in his visually dazzling thriller.
Aug 6, 2013 — If you’ve seen Boogie Nights, There Will Be Blood, or virtually any other film directed by Paul Thomas Anderson, you know that he is enamored of ornate tracking shots. So it’s no surprise that he’s a fan of Max Ophuls,...
Aug 5, 2013 — For those of us who rank The Earrings of Madame de . . . at the top of our list of all-time favorite films, the mystery is why our passion isn’t universally shared. Every year, thanks to committed revival houses,...
Sneak Peeks
Jul 30, 2013 — A caption for the video could go here and be however long it needed to be, within reason, of course.
Sneak Peeks
Jul 29, 2013 — Guillermo del Toro’s historical thriller and supernatural horror film The Devil’s Backbone is clearly the work of a film artist with an immense imagination. But according to the writer-director, it was also inspired by a real-life experience that haunts him...
Jul 25, 2013 — The look of the dazzlingly evocative The Ice Storm is in large part the work of production designer extraordinaire Mark Friedberg (Far from Heaven, The Life Aquatic with Steve Zissou). In an illustrated audio interview on release of Ang Lee’s...
Jul 23, 2013 — Asked by French journalists in a 2001 interview what recent films he most admired, Brian De Palma named Ang Lee’s 1997 The Ice Storm. It was surprising to hear one of the leaders of a filmmaking revolution that aimed at...
Jul 22, 2013 — Gabriel Axel’s exquisite adaptation of Isak Dinesen’s short tale of grace through art provides spiritual and sensual sustenance.
In Theaters
Jul 18, 2013 — Repertory PicksThe Harvard Film Archive in Cambridge, Massachusetts, is currently celebrating one of the finest of all Hollywood actors with the retrospective A Burt Lancaster Centennial Tribute. This Saturday, July 20, you can catch an early breakout performance of Lancaster’s...
Jul 16, 2013 — Theater legend Peter Brook’s approach to bringing the classic fable about human savagery to the screen was radical in its straightforwardness.