The Criterion Collection
Dec 6, 2013 — Did You See This?• The truly lost art of silent cinema • Pascal Dangin, Frances Ha’s secret weapon • Behind film’s ultimate preservation society • A critic’s best of 2013—in dazzling motion • A new Richard Linklater film, twelve years...
In Theaters
Dec 5, 2013 — Repertory PicksThe series Chris Marker: Guillaume-en-Égypte, currently running at the Harvard Film Archive in Cambridge, is a wide-ranging survey of the career of the brilliant cine-essayist and multimedia artist, who died last year at age ninety-one. Among the most politically...
Sneak Peeks
Dec 5, 2013 — Keith Carradine was even more essential to Robert Altman’s Nashville than you may realize.
Dec 3, 2013 — This scathing drama about a toxic society established Elio Petri as an important director of popular political entertainment in Italy.
Essays
Dec 2, 2013 — With its dazzling array of characters, acerbic take on American entertainment and politics, and innovative approach to sound, this is the ultimate Robert Altman movie.
Nov 29, 2013 — Did You See This?• Living Criterion covers • A lengthy detour with Edgar Ulmer • Re-creating Babette’s feast • Eleven great (mini) performances • A gateway cinema survey • Steve James to honor Roger Ebert on film • Mike Leigh...
Essays
Nov 25, 2013 — He massages, he gambles, and he’s great with a blade. Who is this blind swordsman, anyway?
Short Takes
Nov 20, 2013 — On November 5, Frances Ha herself, Greta Gerwig, appeared onstage at the New York Institute of Technology Auditorium on Broadway for a special Screen Actors Guild Foundation event. Following a screening of Noah Baumbach’s film, cowritten by and starring Gerwig,...
Sneak Peeks
Nov 19, 2013 — There are few people in the world we would rather hear talk about the beauty of Yasujiro Ozu’s cinema than Donald Richie. One of the world’s foremost scholars on Japanese film and culture, Richie, who died earlier this year, appears...
Nov 18, 2013 — When Tokyo Story was released in late 1953, Western audiences were just being exposed to Japanese cinema. Akira Kurosawa had made his breakthrough with Rashomon three years earlier, and Kenji Mizoguchi was moving to the forefront of the international festival...