The Criterion Collection
The writer and director talks about the connection between Le corbeau and Salò, or The 120 Days of Sodom; praises the strength of Kira Muratova and Larisa Shepitko; and selects Deep Crimson for his friend, Arturo Ripstein.
The writer and director pays tribute to the late Béla Tarr, shares his love for the way Andrei Tarkovsky merged poetry and cinema, and suggests watching a double bill of Black Girl and I Knew Her Well.
The singer-songwriter reminisces about the pleasure of discovering Czechoslovak New Wave films on trips to the video store, shares why Moonstruck ignited her Nicolas Cage fandom, and praises the use of classical music in The Piano Teacher.
The director of Cowboy Bebop shares his love for The Killing of a Chinese Bookie and how John Cassavetes blurred the line between fictional drama and realism, talks about what makes Branded to Kill a mesmerizing masterpiece, and finds inspiration...
The writer and director shares his love for Monterey Pop and the way it acts as a time capsule of its era, talks about how The Worst Person in the World redefined the romantic comedy, and praises Wes Anderson’s use...
An epic elegy set in 1920s Oklahoma, a vision of life in the wake of nuclear devastation, one of the most intoxicating love stories ever told, a Hong Kong action tour de force, a hard-boiled gangster noir, and an irreverent...
Four surrealist dreams, a portrait of Bombay’s street life, a 1980s touchstone, an ecstatic documentary, a windswept enchantment, and one of the fastest and funniest films ever made
The actor selects films that speak to the connection between society and the individual, focusing on works of resistance by such directors as Béla Tarr, Yasujiro Ozu, and Ingmar Bergman.
The actor and director talks about what makes Fantastic Mr. Fox a household favorite, shares how Gina Prince-Bythewood inspired her to step behind the camera, and praises Diahann Carroll and her performance in Claudine.
The actor and director praises Iranian cinema legends Abbas Kiarostami and Jafar Panahi, shares why he considers Luis Buñuel to be “the grand master of cinema,” and reminisces about spending his childhood at the movie theater.