The Criterion Collection
The Daily
May 23, 2019 — Our survey of this year’s edition begins with the first animated feature to take the top award.
May 22, 2019 — Claudia Weill, the director of the landmark independent film Girlfriends (1978), first knew she wanted to make movies in college, after a summer job on a set opened her eyes to the fully immersive process of filmmaking. But it was...
May 22, 2019 — Everyone’s all in for the first two acts of this love letter to Los Angeles—but for many, the third is a deal-breaker.
May 17, 2019 — The golden age of Japanese cinema would not have been the same without visionary cinematographer Kazuo Miyagawa, as the Criterion Channel’s now-streaming retrospective attests. Miyagawa, who over the course of his fifty-year career shot more than 130 films, brought his...
The Daily
May 17, 2019 — Moving from the merely unsettling to the outright bloody, the Brazilian directors come down hard on their new government.
The Daily
May 15, 2019 — The star-studded zom-com has been met with a first round of mildly appreciative reviews.
The Daily
May 7, 2019 — Humming light sabers weren’t the only thing going on during the maligned decade.
The Daily
May 2, 2019 — The new issue features essays on work by Joanna Hogg and Olivier Assayas and a celebration of its publisher’s fiftieth anniversary.
The Daily
Apr 29, 2019 — The festival will premiere new restorations of films by Luis Buñuel, Vittorio De Sica, Jean Renoir, Andrzej Wajda, and more.
Sneak Peeks
Apr 26, 2019 — In conceiving the journey of Lonesome Rhodes—the protagonist of the 1957 satire A Face in the Crowd, a southern drifter who rises to become a national TV celebrity and political power broker—director Elia Kazan and screenwriter Budd Schulberg went on...