The Project of the Century

Jun 19, 2014 — PerformancesTime has added some latter-day ironies to All That Heaven Allows, and not just the revelation that its star Rock Hudson was gay. There’s also the political career of Ronald Reagan, the ex-husband of Hudson’s costar, Jane Wyman—built on the...

Jan 21, 2014 — Bigger is better in Stanley Kramer’s crazily crammed slapstick epic, a timeless showcase for comedy genius.

Apr 24, 2012 — Among the most widely seen photographs of Hollis Frampton is one of him as a young man, a self-portrait taken in 1959, if we are to trust the narration he composed to accompany its inclusion in his 1971 film (nostalgia)....

Jul 6, 2011 — Cinephilia was the buzzword at this year’s Edinburgh International Film Festival. There’s nothing out of the ordinary about that, of course, but the 2011 edition (the festival’s sixty-fifth—it’s the oldest continuously running film festival in the world), which ran from...

Mar 21, 2011 — Living Room The cinema of Mikio Naruse is one of heartbreak but also one of indomitable poise. Melodrama is the director’s stock-in-trade. His stories are inhabited by people, generally women, imprisoned in their domestic and professional circumstances by the status...

Sep 3, 2007 — Jim Jarmusch is a difficult director because he works from the frontiers. What does it mean to be a “frontier” director in the film world today?It means a clear refusal, for ethical and aesthetic reasons, to be part of the...

Mar 27, 2006 — Louis Malle’s World War II–era drama follows a young collaborationist in rural France and asks how people with no interest in politics become active participants in brutal torture.

Mar 8, 2019 — Claire Denis in Film Comment, an ongoing project at Directed by Women, and Glenda Jackson and Meryl Streep in conversation are among this week’s highlights.

Mar 29, 2021 — Filmmakers, programmers, and critics remember a man who “embodied the spirit of cinema as robustly as anyone ever has.”

Jul 31, 2018 — The award-winning director of The Rider explores the deep respect for nature and subjective human experience in Terrence Malick’s masterful vision of early seventeenth-century America.