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The Pinchcliffe Grand Prix

Jun 26, 2018 John Waters’ favorite among his early works is both an assault on political correctness and a no-holds-barred expression of gay militancy.

Feb 2, 2011 This interview was published in the winter 2010 issue of Brick, a literary journal based in Toronto. It is posted here by permission of the Toronto International Film Festival. The photograph appears courtesy of Colleen Murphy. We met on March...

Dec 21, 2006 It’s the season when a lot of things arrive on five. Yesterday Tony, who does authoring for us, brought in gorgeously authored doughnuts from the Doughnut Plant on Grand Street, in flavors like marzipan and pomegranate jelly. John Gudelj, our...

Jun 23, 2003 One of the most unusual features of Italian cinema of the late ’50s and ’60s is the way that it affords us multiple perspectives on the same event, namely the economic boom following the postwar recovery. Where the directors of...

Apr 19, 2022 Frank Tashlin directs Jayne Mansfield to her cartoonish limits in this outrageous showbiz satire that is a testament to the power of bad taste.

Feb 24, 2022 Next month on the Criterion Channel, we’re pushing the envelope with a series of the pre-Code films made by Paramount Pictures, a centenary tribute to Pier Paolo Pasolini, and a collection of groundbreaking concert documentaries.

Jan 9, 2026 The director of some of the bleakest films ever made once claimed all they were all comedies—except one.

Apr 29, 2025 To commemorate the fiftieth anniversary of the fall of Saigon, the director of Three Seasons discusses a selection of landmark films that have shaped how we remember this devastating and divisive conflict.

Jun 10, 2024 The Canadian filmmaker and artist reflects on his award-winning 1996 breakthrough, a work of voluptuous style and fierce political commitment that remains a landmark of New Queer Cinema.

First Look 2024

The Daily

Mar 12, 2024 The thirteenth edition offers twenty features, new short films by Kevin Jerome Everson and Nathaniel Dorsky, workshops and more.

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