The Criterion Collection
The Daily
May 17, 2019 — Moving from the merely unsettling to the outright bloody, the Brazilian directors come down hard on their new government.
Apr 29, 2019 — Sergio, the bourgeois Havana intellectual at the center of Tomás Gutiérrez Alea’s 1968 Memories of Underdevelopment, isn’t your typical movie protagonist. An idle, arrogant property owner with an easy swagger, Sergio is in many ways a rather distasteful individual, exploitative...
The Daily
Jan 3, 2019 — We look ahead to films by Martin Scorsese, Greta Gerwig, Paul Verhoeven, Hirokazu Kore-eda, and dozens more.
Oct 12, 2018 — Two early works by Ingmar Bergman show the Swedish master grappling with the conventions of melodrama, which would go on to influence his later explorations of spiritual torment.
On the Channel
Sep 24, 2018 — Professor David Bordwell breaks down the stunningly innovative thirteen-minute prologue of Alain Resnais’s debut feature in this excerpt from a program on the Criterion Channel.
May 29, 2018 — John Schlesinger’s Midnight Cowboy is a milestone along several different paths of movie history, all of which converged at the majestically seedy crossroads of Times Square in the spring of 1968.
The Daily
May 19, 2018 — All agree that the drama set in the slums of Beirut is gripping, but is it too manipulative?
The Daily
Apr 8, 2018 — Saige Walton and Nadine Boljkovac introduce the dossier “Materializing Absence” in the new issue of Screening the Past: “We start from the central premise that absence in screen media is not ‘nothing’—that absence itself is always invested with material attributes....
Dec 17, 2017 — Norwegian director Joachim Trier talks about how Louis Malle’s 1963 masterpiece The Fire Within inspired his sophomore feature Oslo, August 31st.
Oct 29, 2014 — George Sluizer’s singularly unsettling work of psychological terror is a model of lucid craftsmanship.