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The Child

Aug 22, 2023 A new restoration of Roemer’s brisk and oddly endearing 1969 comedy screens in New York, Los Angeles, and Chicago.

Sep 13, 2022 Sean Baker and Shih-Ching Tsou’s portrait of an undocumented Chinese immigrant working in New York City captures a suspenseful human drama with a DIY, documentary-like approach.

Apr 21, 2022 In 1948, leftist filmmaker Leo Hurwitz directed a documentary whose title summed up the uncertainty of its moment: for America’s antifascists, the end of the Second World War was a Strange Victory indeed. Using newsreels from the war’s front lines,...

Feb 14, 2022 A ’20s jazz hit provides a rare moment of peace in Howard Hawks’s frenzied screwball comedy.

Aug 28, 2020 “Anyone with that kind of brilliance, you just give them space . . . She was a kind of unique, extraordinary, eccentric wild animal. And some jewels came out of her mouth.” Richard Gere On Halloween 1978, a month after...

Doc Fortnight 2020

The Daily

Feb 5, 2020 MoMA’s annual festival of nonfiction film and media is “eclectic by design.”

Jun 7, 2018 “Film was a sort of rarified, special thing you might luck into,” says Marlon James, recalling his first encounters with the art form as a child in Jamaica. Growing up in Kingston in the 1970s, he got his cinema education...

Feb 27, 2018 “Orson Welles, a boy from Kenosha, Wisconsin, was one of the most audacious Shakespearians who ever lived,” writes Robert Horton. “He recited soliloquies as a child, wrote a book on the plays as a teenager, and at age seventeen roamed...

Feb 1, 2018 The first half of the series Martin Scorsese Presents Republic Rediscovered: New Restorations from Paramount Pictures, organized by Dave Kehr, a curator in the Museum of Modern Art’s Department of Film in association with Scorsese’s Film Foundation and Paramount Pictures,...

Sep 2, 2017 “The names Joel and Ethan Coen pop up on a lot of screenplays these days (Bridge of Spies, Unbroken), now that they’re getting credit for the kind of script-polishing they used to do anonymously,” begins Variety’s Owen Gleiberman. “But Suburbicon...

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