The Criterion Collection
Oct 20, 2021 — This uncanny tale of existential anxiety stands out as the most rigorously pared-down American science-fiction film of the 1950s.
The Daily
Oct 14, 2021 — Voir is “a new documentary series of visual essays celebrating cinema.”
The Daily
Oct 13, 2021 — Several of the season’s best-reviewed films arrive in the Windy City.
Essays
Oct 12, 2021 — In Raoul Walsh’s elegy for the Depression-era archetype of the noble outlaw, Humphrey Bogart plays an old-fashioned desperado who has outlived his time.
The Daily
Oct 8, 2021 — Apichatpong Weerasethakul’s new film will eventually make it to your local theater, and critics say it’s worth the wait.
The Daily
Oct 6, 2021 — A rediscovered anti-fascist short is among the highlights of this year’s program of restorations and revivals.
Sep 28, 2021 — Melvin Van Peebles takes aim at Hollywood’s way of representing race in this blistering satire about a white man who wakes up one morning to discover that he has turned Black overnight.
Essays
Sep 28, 2021 — The first Black-directed movie musical of the modern film era, Melvin Van Peebles’s drama illuminates the cultural and political concerns of working-class Black people with delight and fancy.
The Daily
Sep 24, 2021 — Joanna Hogg, Terence Davies, and Lynne Ramsay look back on their days in film school; and Bill Morrison issues a warning.
Features
Sep 22, 2021 — Writer-director John Huston blasted the fusty pieties that pervaded big-studio filmmaking in the post-Code era, whether as the progenitor of film noir with The Maltese Falcon (1941) or the brainy daredevil who threaded critiques of frontier capitalism, gold lust, and...