The Criterion Collection
The Daily
Oct 2, 2019 — Retrospectives in New York and on the Criterion Channel mark the hundredth birthday of the pioneering filmmaker.
The Daily
Sep 30, 2019 — Critics are enthralled by a mobster’s three-and-a-half-hour alternative history of the mid-twentieth century.
The Daily
Sep 25, 2019 — Here’s an overview of how fifteen films in the NYFF’s Main Slate have been faring since premiering in Cannes.
The Daily
Sep 18, 2019 — Adam Sandler plays a jeweler addicted to risk in the brothers’ new exhilarating—and exhausting—new film.
The Daily
Sep 9, 2019 — The jury presided over by Lucrecia Martel has surprised just about everyone.
Features
Sep 2, 2019 — Dark Passages Thieves’ Highway A hay cart trundles through a sunny field above Fresno, California, in the opening shot of Thieves’ Highway. This is not an image you expect to see in film noir, which most often breeds in cities, alienated from the...
Features
Aug 28, 2019 — 1. Before he became a filmmaker, D. A. Pennebaker’s ambition was to play stride piano like Fats Waller. “What changed your mind?” I asked him. “Well,” Penny replied, “after I saw Fats play . . . ” Penny would have...
The Daily
Aug 20, 2019 — With The Hired Hand, Fonda created a classic of the new era ushered in by Easy Rider.
The Daily
Aug 12, 2019 — This month we’re looking at titles by or about Chantal Akerman, Orson Welles, Chris Marker, Kathleen Collins, and many more filmmakers and writers.
Jun 24, 2019 — A work of rapturous energy, John Cameron Mitchell’s beloved debut feature is a freewheeling rock-and-roll musical suffused with heartbreak and pleasure.