The Criterion Collection
The Daily
Nov 26, 2019 — A smart and lively adaptation of a 150-year-old classic is warmly greeted in the first round of reviews.
Essays
Nov 19, 2019 — In 1989, film critic Raphaël Bassan coined the term cinéma du look. Describing a tendency in French cinema that had begun in the early eighties and would continue into the nineties, Bassan identified commonalities in the work of Jean-Jacques Beineix,...
The Daily
Oct 9, 2019 — This year’s program has taken NYFF attendees to Soviet Russia, Lebanon, Chile, back home to the Big Apple, and behind bars.
Features
Aug 6, 2019 — Once, in 1977, Werner Herzog read a news item about a volcano that was supposed to erupt in Guadeloupe and one man living there who refused to evacuate with the rest of the island’s population. Herzog being Herzog, he immediately...
The Daily
Aug 2, 2019 — Extraordinarily long movies, challenging movies, and even ugly movies figure into this week’s round.
Features
Jul 25, 2019 — My first three films—Angela, Personal Velocity, and The Ballad of Jack and Rose—are all mysteries of female identity, how it can be warped, destroyed, or saved, particularly in the context of family and sexual love. These films are highly charged...
Jun 27, 2019 — Sergei Bondarchuk pulled out all the stops to bring Tolstoy’s sprawling vision to the screen, and the result remains one of the most extravagant epic films of all time.
Essays
Mar 19, 2019 — A few weeks after Barbara Loden, the writer, director, and star of Wanda, died at age forty-eight after a long battle with cancer, Elia Kazan, her widower, was interviewed by Marguerite Duras for Cahiers du cinéma. It was 1980, and...
The Daily
Mar 12, 2019 — The first few days have also seen premieres of new films by Lynn Shelton, Jonathan Levine, and Olivia Wilde.
The Daily
Jan 8, 2019 — A few lingering observations on the films of 2018 from Slate’s Movie Club, the New York Times, and more.