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Jun 20, 2013 The prophetic voice of H. G. Wells resonates throughout this singularly ambitious, spectacularly designed vision.

Jun 17, 2013 The author recounts the story of his friendship with the great filmmaker.

Apr 23, 2013 Who is Pierre Etaix and where has he been all your life? This is the story of a filmmaker who was vanished, banished, skipped over. It’s as if one of those invisible cubicles mimes are always getting themselves shut in...

Apr 9, 2013 This review by film critic Janet Maslin originally appeared in the December 27, 1991, edition of the New York Times, and appears by permission of the author. Naked Lunch, adapted by the dauntless David Cronenberg from William S. Burroughs’s 1959...

Mar 26, 2013 Charlie Chaplin manages to make a ruthless murderer likable in his brilliant satire of middle-class morality.

Feb 25, 2013 When an ethnographic filmmaker and a sociologist joined forces, they helped change the course of nonfiction cinema.

Feb 19, 2013 Elia Kazan’s masterwork is a vivid, tough look at a time and place, and a transcendent human drama.

Dec 5, 2012 The following is excerpted from an interview that originally appeared in the February 1, 1981, issue of L’avant-scène: Cinéma. It was conducted by Olivier Eyquem and Jean-Claude Missiaen. Eyquem is a documentalist and former staff member at Positif; he blogs...

Oct 30, 2012 All of them actors? Nearly everyone wears a mask in Roman Polanski’s devilishly clever work of horror.

Oct 25, 2012 The following piece by Sunday Bloody Sunday screenwriter Penelope Gilliatt originally appeared as the introduction to the 1971 U.S. publication of the script. A friend of mine who had started scrubbing at fourteen and went on to be a barmaid...

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