The Criterion Collection
Essays
May 12, 2026 — Sexuality—how one defines it, lives with it, hides it, shuns it, or wields it—is inextricable from matters of socioeconomic class, though rare is the American film that centralizes this intersectional reality. The foundational myth of the American dream puts forth...
The Daily
May 12, 2026 — Sorting through critics’ most-anticipated titles, catching up with interviews and profiles, and more.
The Daily
May 4, 2026 — L’Alliance New York presents a series of films by a director ripe for discovery in the U.S.
Apr 28, 2026 — In April 1992, John Singleton was en route to the set of his second film when he heard the verdict on the radio. A predominantly white jury had acquitted four police officers who, a year earlier, had been caught on...
The Daily
Apr 27, 2026 — The festival centered on experimental documentary and avant-garde film will roll out across five New York venues.
The Daily
Apr 24, 2026 — Great writing this week on Maurice Pialat, Paul Newman, Johnnie To, Mark Fisher, and wrestlers.
The Daily
Apr 22, 2026 — Boots Riley and Olivia Wilde both have two films at this year’s edition of New England’s largest film festival.
Apr 21, 2026 — It’s all a bit confusing. Point Blank is based on a novel called The Hunter by Richard Stark, one of several pseudonyms adopted by Donald E. Westlake. The book was republished as Payback in 1999 to tie in with a...
The Daily
Apr 21, 2026 — From new titles on the silent era and Hollywood’s Golden Age to forthcoming novels and memoirs, this month offers something for every reader.
On the Channel
Apr 16, 2026 — This month, take a peek at movie history through the prism of the ’80s: our collection of the decade’s best remakes and the originals that inspired them reveals an era of wild reinventions and sly revisionism.