Jul 23, 2024 Unlike the string of early-1980s sex comedies that it superficially resembles, Paul Brickman’s debut feature fuses fierce social satire and dark, dreamy eroticism with unexpectedly rich and ambiguous results.

Jul 22, 2024 RaMell Ross’s Nickel Boys will open the NYFF, and TIFF and Venice Critics’ Week have unveiled lineups.

Jul 22, 2024 The UK premiere of the new restoration of Werckmeister Harmonies at Cinema Rediscovered 2024 launches a retrospective.

Jul 19, 2024 We’re looking back to films by Pakula and Oshima, and from the 1990s, by Claire Denis and Richard Shepard.

Jul 18, 2024 A pioneer of the 1980s downtown New York arts scene, the director of Sleepwalk talks about navigating her creative life in the city and the inspiration she has taken from mythology, fairy tales, and cinéma fantastique.

Jul 17, 2024 This month, we’re celebrating the expansive, archetype-exploding films of Paul Thomas Anderson, as well as the career of his frequent collaborator Philip Seymour Hoffman.

Jul 16, 2024 In one of the most patient films he has ever made, Wim Wenders captures how everyday existence drifts into our dream lives.

Jul 15, 2024 Caden Mark Gardner and Willow Catelyn Maclay’s new book assesses the history and future of transness in cinema.

Jul 12, 2024 We dive this week into the worlds of Jean Eustache, Walerian Borowczyk, John Ford, Kozaburo Yoshimura, and Chris Marker.

Japan Cuts 2024

The Daily

Jul 10, 2024 This year’s edition opens with jazz, features three revivals, and wraps with Godzilla.

Current Page
55
of 266

You have no items in your shopping cart