The Criterion Collection
Essays
Dec 3, 2008 — Gliding on silvery reels of steel, and tricked out with Lars von Trier’s panoply of visual effects, the film ravishes with its elaborately storyboarded tunnel vision.
Essays
Nov 19, 2008 — Albert Lamorisse’s principled balancing of objective fact with childish wish fulfillment results in a new, paradoxical genre—the documentary of dreams.
Essays
Nov 2, 2008 — To see the gorgeous Fanfan la Tulipe is to go back in time twice over: to the film’s eighteenth-century French setting and to the international cinema world of more than fifty years ago, when this genial action farce was initially...
A lifelong cinephile, this French filmmaker reinvigorated cinema throughout the sixties and seventies by breaking from the industry’s bloated “tradition of quality.”
No one has influenced modern filmmaking more than this French New Wave pioneer. He was one of our greatest lyricists on historical trauma, religion, and the legacy of cinema.
A singular, iconoclastic artist and philosopher, Bresson illuminates the history of cinema with a spiritual yet socially incisive body of work.
This explosion of vibrant, innovative, and highly self-conscious films from France in the late 1950s and early 1960s changed the game.
Jul 7, 2008 — Every decade since 1984 the Toronto International Film Festival has conducted a poll of film scholars, critics, and directors to determine the ten best movies in the history of Canadian cinema. This top-ten list has changed somewhat over the years,...
May 19, 2008 — Top fashion models bleeding from sharp-edged aluminum dresses. A comic-strip American superhero oozing stigmata. A naked couple electrically zapped for the delectation of the TV-viewing public. These are some of the images from the fiction films of American expatriate in...
May 12, 2008 — Today it may be hard to understand the shock waves that Louis Malle’s romantic drama created with its “frank” depiction of a woman’s sexual pleasure, but in the context of late-1950s France, it was a bombshell.