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Do Ankhen Barah Haath

Jan 30, 2024 — A kaleidoscopic work of literary adaptation, Dee Rees’s fourth feature film is anchored in a powerful fraternal bond between two men from opposite sides of the color line.

Jan 29, 2024 — Jurors, audiences, and critics seem to agree that 2024 is off to a promising start.

Jan 23, 2024 — Jason Schwartzman and Carol Kane star in the story of a cantor who has lost his wife, voice, and will to live.

Jan 22, 2024 — The festival will launch new work from Olivier Assayas, Mati Diop, Abderrahmane Sissako, Hong Sangsoo, and Matías Piñeiro.

Written in Neon

The Daily

Jan 19, 2024 — We’ve been reading about Francis Ford Coppola, James Baldwin, Chantal Akerman, and Cary Grant and Randolph Scott’s barely kept secret.

Jan 18, 2024 — Revival screenings mark the anniversary, and critics list their most-anticipated films from this year’s lineup.

January Books

The Daily

Jan 17, 2024 — Steven Soderbergh contemplates writing his first novel, while Keanu Reeves already has; plus notes on Barbara Stanwyck, noir, and more.

Jan 16, 2024 — Drawing on the influence of a wide range of genres, John Sayles creates a densely layered narrative that unfolds across two timelines and explores the long-hidden secrets of a small border town in Texas.

Surprises Abound

The Daily

Jan 12, 2024 — This week’s given us essays on Chantal Akerman and Edward Yang and conversations with Takeshi Kitano and Robert Bresson.

Jan 8, 2024 — The National Society of Film Critics and the Golden Globes have us surveying the latest round of best-of-2023 lists and overviews.

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