The Criterion Collection
Essays
Jun 18, 2001 — Bathed in scarlet hues, Ingmar Bergman’s period drama is his most daring attempt to achieve a dream state on film.
Essays
Aug 28, 2000 — Good Morning is the wildcard in Yasujiro Ozu’s career, the film that looks least like all his others, and one of the few where he sees the world through childrens’ eyes rather than those of an old man.For many years,...
Essays
Nov 8, 1999 — In The Third Man—probably the greatest British thriller of the postwar era—director Carol Reed and screenwriter Graham Greene set a fable of moral corruption in a world of near-Byzantine visual complexity: the streets and ruins of occupied Vienna. It is...
Essays
Jan 11, 1999 — In 1910 Sir William Mackenzie hired Robert Flaherty to prospect the vast area east of the Hudson Bay for its railway and mineral potential. Over the course of several years and through four lengthy expeditions Flaherty had frequent contact with...
Essays
Jul 11, 1998 — Powell and Pressburger’s sixth film tells the story of five nuns of the Anglo-Catholic faith who are dedicated to work and welcome the assignment to open a school and hospital in remote Hindustan.
Sep 24, 1990 — Imagine Hitchcock’s Psycho told from the point of view of its title character, and you have a rough idea of Taxi Driver. This riveting 1976 film is at once a thriller, a psychological case study, an exploration of the eroticism...
Essays
Dec 18, 1989 — Billy Wilder’s comedic genius is on full display in this beloved classic starring a never-better Marilyn Monroe and Tony Curtis, who spends most of the film in drag.
Essays
Apr 10, 1989 — Two years after The Horse’s Mouth director Ronald Neame cast Alec Guinness in this film, based on a book by James Kennaway.
Essays
Dec 9, 1985 — Movie thrillers may come and go, but after half a century, Alfred Hitchcock’s The 39 Steps still reigns supreme. And not only for the sheer, breathless excitement of the story; the seamless construction; the chilling, beautifully realized atmosphere; and the...