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All for a Rose

Pairing Ozus

The Daily

Dec 14, 2022 Anthology Film Archives presents a series of films that “are—explicitly or implicitly—reworkings of earlier films.”

Jan 29, 2018 “It is an altogether extraordinary life, the stuff of epic,” writes Simon Callow, having just taken us from milestone to milestone in the first fifteen paragraphs of an outstanding piece for the New York Review of Books. “And now, it...

Jun 10, 2017 On Wednesday, Martin Scorsese, in partnership with the Pan African Federation of Filmmakers and UNESCO, officially launched the African Film Heritage Project. The Film Foundation, founded and chaired by Scorsese, will take part in the restoration of fifty African films....

Dec 9, 2013 The critic and WCP executive director offers a personal take on art cinema and a primer on the project’s scope and mission.

Jun 9, 2014 Your vigilance as an artist is an amorous vigilance, a vigilance of desire.—Roland Barthes to Michelangelo Antonioni, 1979 It’s lamentable that Michelangelo Antonioni, one of the most fashionable vanguard European filmmakers during the sixties, has mainly been out of fashion...

Aug 18, 2009 Jacques Tati’s masterpiece converts work into play so pleasurably that it turns the very acts of seeing and hearing into a form of dancing.

Jun 25, 2007 Chris Marker’s masterpiece is a cinematic essay and travel film made up of asides and digressions that form a portrait of late twentieth-century civilization.

Sep 13, 2004 This oblique strategy can be seen as a self-referential characterization of Slacker itself: it appears to have no struc­ture, to be chaotic (a matter of random encounters), when, in fact, it has a very subtle, extremely well-crafted structure that makes...

Aug 2, 2004 The three film’s in Renoir’s trilogy are comic period fantasies in dazzling color, offering a kind of continuous, bustling choreography in which shifting power relations between upper and lower classes and between spectators and performers literally turn the world into...

Aug 20, 2001 Carl Dreyer’s 17th-century period piece leaves all major questions frustratingly unresolved yet vibrantly open, quivering and radiant with life and meaning.

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