The Criterion Collection
Essays
Oct 18, 2004 — Nixon as Hamlet, Nixon as Lear, Nixon as Blanche DuBois, Nixon as Krapp—clutching every last tape to his breast with the wild fury and despair of a man on the precipice . . . Nixon in his study, poring over...
Sep 29, 2003 — In May 1981, in the midst of shooting Lola, Rainer Werner Fassbinder sketched out his next film project: Sybille Schmitz. On the cover, he had written, “Story for a Feature Film*.” The asterisk pointed to this footnote: “It is possible...
The Daily
Mar 31, 2026 — A seven-film series in London takes measure of nuclear anxiety behind the Iron Curtain.
On the Channel
Feb 18, 2025 — HIghlights this month include a look back at the Dogme 95 movement, a showcase of great supporting performances, and spotlights on directors Michael Mann, Alain Guiraudie, and Lee Chang-dong.
The Daily
Jul 25, 2023 — Venice packs more than a few surprises, and Toronto’s announced sixty Gala and Special Presentations.
The Daily
Jul 26, 2022 — The festival selects urgent documentaries, starry portraits, and family dramas.
The Daily
May 20, 2024 — Every rave and every pan salutes Coppola’s determination to realize his grandest vision.
The Daily
May 31, 2022 — The jury gave awards to nearly half the competition, but some critical favorites missed out.
Jul 3, 2019 — Punk has been tamed, punk has been neutered, punk has been domesticated. The album The Stooges is fifty years old this August, and the music of omnidirectional bile and antiauthoritarianism that it anticipated has been museumified, the subject of a...
Essays
Jan 15, 2019 — In Notorious (1946), love assumes different shapes and presentations—as a wound, a weapon, a promise, a curse. For Ingrid Bergman as the lusciously complex and raw-nerved Alicia Huberman, it’s all these things. As the film begins, Alicia is on the...