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Feb 26, 2026 — This year’s program features a new restoration of a Martin and Lewis comedy in Technicolor and 3D.

Feb 25, 2026 — The director of Civic and Now, Hear Me Good talks about how his experience as a first-generation Caribbean American and his love of Chantal Akerman’s short La chambre have influenced his work.

Feb 25, 2026 — A survey of Black cinema and memories of watching movies with John Ashbery are among this month’s highlights.

Feb 24, 2026 — For this existential noir, Joel and Ethan Coen drew inspiration from crime-fiction master James M. Cain’s lean, hard-boiled style and interest in the quotidian world of work.

Feb 24, 2026 — Centered on the emotional unraveling of a failed newsman, this darkly prescient satire envisions the collapse of American society as we knew it through an unsparing critique of corporate media and capital accumulation.

Feb 23, 2026 — Juries, critics, filmmakers, and audiences debated politics from the first through the last day of this year’s edition.

Feb 20, 2026 — Steven Soderbergh talks and two retrospectives showcase work by Raymond Depardon and John Schlesinger.

Feb 20, 2026 — Since the 1980s, Indigenous artists have turned to documentary filmmaking and a variety of experimental forms to reassert their cultural sovereignty and lay claim to their own narratives.

Feb 19, 2026 — In more than forty nonfiction features, he tried, as he said, “to create dramatic structures out of ordinary experience.”

Feb 19, 2026 — Though in many ways the quintessential company man, the director brought an intimate understanding of the margins of American society to the films he made for Warner Bros. in the 1930s.