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Sep 30, 2014 When we first released Rainer Werner Fassbinder’s Ali: Fear Eats the Soul in 2003, we asked filmmaker Todd Haynes to provide a video introduction. The year before, he had released his masterful Far from Heaven, a reworking of Douglas Sirk’s...

Sep 29, 2014 The great cinematographer Freddie Francis’s brilliant work on Jack Clayton’s chilling 1961 horror movie The Innocents is widely admired by movie lovers and professionals. For an appreciation of this film’s incredible visuals, we turned to cinematographer John Bailey (The Big...

Sep 29, 2014 We were saddened to learn of the death of our dear friend Peter von Bagh. The seventy-one-year-old Finnish film director, historian, writer, and programmer (he cofounded the world-renowned Midnight Sun Film Festival in Sodankylä and was the artistic director of...

Sep 26, 2014 For this week’s festival of free films on Hulu, we put French bombshell Brigitte Bardot in the spotlight. The gorgeous actor, singer, and model burst onto the scene with Roger Vadim’s scandalous 1956 romp And God Created Woman, and was...

Sep 23, 2014 In director Jack Clayton’s hands, Henry James’s tale of the sinister and sensual things hiding behind Victorian decorum becomes one of the screen’s great works of terror.

Sep 16, 2014 The following interview is from filmmaker and writer Chris Rodley’s 1997 book Lynch on Lynch. The interviews in the book were conducted by Rodley between January 1993 and December 1996. Eraserhead took five years to complete. You must have been...

Sep 3, 2014 In this clip from an extensive interview with Bob Fosse on The South Bank Show in March 1981, the filmmaker-choreographer recalls the idea for All That Jazz springing from one of the darkest periods of his life and discusses the...

Sep 2, 2014 The following is excerpted from the book-length study Terence Davies, out September 8. See the bottom of the post for a clip of the scene it describes. Excerpt copyright 2014 by the Board of Trustees of the University of Illinois...

Aug 27, 2014 In this excerpt from a 1999 interview produced by the Directors Guild of Japan, director Shohei Imamura talks about the personal investigative approach he took to making the 1979 serial killer drama Vengeance Is Mine, for which he viewed himself...

Aug 26, 2014 Define the Japanese New Wave however you like—there are innumerable possible launching points, and the name players in the fifties and sixties were old and young and in between—but from any juncture, Shohei Imamura was a primary figure and, at...

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