The Criterion Collection
The writer, philosopher, and director of Orlando, My Political Biography praises Spanish cinema masters Pedro Almodóvar and Carlos Saura, talks about the “visual therapy” of Jacques Tati and his love for the poetry of Chris Marker.
The director of She Came to Me and Personal Velocity talks about the most disturbing films she has ever seen, the sad humor of Miloš Forman, and the poetic-realist masterpiece that might be her favorite movie of all time.
The director of Oldboy and Decision to Leave talks about the influence of Ingmar Bergman, his complicated feelings about The Makioka Sisters, the way Mike Leigh works with actors, and his admiration for Don Siegel’s films.
The acclaimed photographer and music video director, whose film work includes Control and Squaring the Circle (The Story of Hipgnosis), highlights favorite movies by Wim Wenders, Martin Scorsese, and Paweł Pawlikowski.
During a trip to what he calls our “city of movies,” the director of Afire talked about the jazzy qualities of Steven Soderbergh’s films, the inspiration he has taken from Preston Sturges, and an overpoweringly erotic moment in Stromboli.
The director of American Psycho and I Shot Andy Warhol shares her love of B movies of the 1940s and ’50s, the metal soundtrack of Lost Highway, and the rapid-fire pacing of ’30s comedy.
The Oscar-winning cinematographer Roger Deakins and his collaborator James Deakins—who discuss filmmaking on their podcast, Team Deakins—share stories about the heyday of punk, childhood memories of watching The Seventh Seal, and commentary about one of the most stunning black-and-white films...
The acclaimed band talks about Japanese films about family, the rock music in Beyond the Valley of the Dolls, and a festival viewing experience of Carnival of Souls.
The director of The Living End and The Doom Generation reminisces about writing papers on Bringing Up Baby in film school, defends one of David Lynch’s most polarizing masterpieces, and calls John Waters “the original godfather of everything.”
The director of One False Move and Devil in a Blue Dress talks about his love of Yasujiro Ozu, the exploration of crime in Pixote, the inspiration he took from Children of Paradise, and one of the greatest jazz films...