The Criterion Collection
The writer and director of His Three Daughters shares his deep love for Charles Laughton, talks about how Aki Kaurismäki blends fantasy and reality in La vie de bohème, and praises La Ciénaga and Girlfriends as cinematic miracles.
One of the most beloved figures to emerge in 1960s Hollywood, the Oscar-winning actor was acclaimed for his collaborations with directors such as Arthur Penn, William Friedkin, and Wes Anderson.
The director and cowriter of The Brutalist selects three favorites by Luchino Visconti, praises Larisa Shepitko as one of the greatest directors in the history of cinema, and talks about the hypnotic, endlessly watchable The Mother and the Whore.
The actor and star of Babygirl expresses his love for the films of Lino Brocka, praises his costar Nicole Kidman’s performance in To Die For, and talks about being influenced by such filmmakers as Mike Leigh and Harmony Korine.
The actor shares how she finds comfort in Hedwig and the Angry Inch, talks about helping to create a theatrical adaptation of Town Bloody Hall, and selects favorites including Shampoo, Paper Moon, and Hoop Dreams.
The actor shares his close connection to Lindsay Anderson’s This Sporting Life, praises Richard Burton’s performance in The Spy Who Came in from the Cold, and talks about playing villains for “master of the macabre” Brian De Palma.
The actor and star of Nosferatu, Juror #2, and The Order shares why Shallow Grave is seared into his memory, talks about his love for Peter Sellers’s performance in Being There, and selects favorites by Bruce Lee, the Coen brothers,...
The writer and director of Nosferatu shares his fascination with Sergei Parajanov’s ornate tableaus, praises costume designer Piero Tosi’s work on Medea and Death in Venice, and talks about how Jack Clayton’s The Innocents ignites his imagination.
The actor joins the director of his new film The Piano Lesson in the Criterion Closet, where they shout out the importance of Menace II Society, reflect on the beauty of Jacques Demy and Agnès Varda’s artistic relationship, and praise...
The director of I’m Still Here shares why Andrei Rublev and Stranger Than Paradise consistently renew his faith in cinema, talks about the unique mix of documentary and fiction in Memories of Underdevelopment, and praises how Garrett Bradley’s Time shows...