The Almajiri

Mar 19, 1996 — “[He] loves to set his figures in action against greenish or purplish backgrounds, in which we can glimpse the phosphorescence of decay and sniff the coming storm.”—Charles Baudelaire, writing on Edgar Allan Poe What’s striking about Seven is that the...

Jan 8, 1996 — Dodes’ka-den was made at a low point in Akira Kurosawa’s long career-perhaps the lowest that the director has ever known. In the preface of the filmmaker’s autobiography, critic and translator Audie Bock reports that Kurosawa’s commercial prospects became bleak in...

Dec 4, 1995 — While Carol Reed’s psychological noir is the most compassionate of movies, it’s a poetic summary of twentieth century harshness—of what can be called the inhuman condition.

Sep 25, 1995 — Noel Coward and David Lean’s drama is the Citizen Kane of war movies, as well as the precursor to Lean’s even more celebrated works.

Sep 18, 1995 — The global problem of domestic violence destroys families and, in a broader context, locks entire societies into a pathology of pain, distrust, and self-hate. When the basic building blocks of any society—the bonds between mother, father, children—are so grossly violated,...

Aug 28, 1995 — Three Cases of Murder is of most interest to American audiences for Orson Welles’s flamboyant and bravura performance as Lord Mountdrago. However, it’s equally important as a showcase for Wendy Toye, one of Britain’s first female directors, and star Alan...

Jun 27, 1995 — Orson Welles’s Shakespeare adaptation was his first first fully independent feature, made without the resources of Hollywood.

Jun 5, 1995 — Kenji Mizoguchi departed abruptly from his earlier sentimental films into a world of acute realism with this bold critique of the position of women in contemporary Japanese society.

Nov 15, 1994 — Andrzej Wajda’s third full-length film established the director as a leader of the new Polish cinema.

Oct 18, 1994 — Val Lewton’s cinematic diamond-in-the-rough has been recognized for decades as a definitive chiller, but it was conceived as a title, with no story or notion in mind, and as a way of generating cash for RKO.