Wit

Jul 23, 2014 — Jacques Demy’s miraculous, melancholy musical is the rare film to use pastiche and artifice to go straight for the heart.

Jul 22, 2014 — Jeanne Moreau’s flighty, enigmatic Jackie in Jacques Demy’s poetic drama is in the great tradition of dreamy Demy heroines.

Jul 21, 2014 — Anouk Aimée’s beguiling chanteuse, the title character of Jacques Demy’s romantic debut feature, is the figure from whom the director’s entire cinematic world springs.

Jul 18, 2014 — The annual Cinema Ritrovato festival in Bologna, Italy, has become the hottest showcase for the latest restorations of classic and overlooked films from around the world. So we were thrilled that they decided to show our restoration of Richard Lester’s...

Jul 17, 2014 — When I was in high school in the late ’70s, one of my closest pals was a semiprofessional magician. A top-flight pianist as well, Charles was making some tidy sums as an entertainer in restaurants and clubs around North Jersey...

Jul 15, 2014 — Ihave an unusually easy way of remembering when I first became fascinated by Robert Bresson’s films. Pickpocket (1959) was the first one I saw, at the old Orson Welles theater in Cambridge, Massachusetts, in my late teens; it was also...

Jul 15, 2014 — Among the brainiest of all horror movies, David Cronenberg’s film goes beyond shock to investigate a disturbing world of psychic mutation.

Jul 14, 2014 — Critic and filmmaker Paul Schrader has long cited the work of the great French director Robert Bresson as being hugely important to him. In this excerpt from his introduction to the Criterion release of Bresson’s Pickpocket, Schrader calls the movie...

Jul 7, 2014 — Director Richard Lester is best remembered for his delightfully mod films of the sixties, including the Beatles classics A Hard Day’s Night (1964) and Help! (1965) as well as The Knack . . . and How to Get It (1965)...

Jun 30, 2014 — The filmmaker’s recollections of the great producer.