The Criterion Collection
The writer and director returns to the Criterion Closet, where he talks about a moment from Black Narcissus that’s ingrained in his memory, shares what he loves about Max Ophuls and The Earrings of Madame de . . ., and...
The actor talks about My Darling Clementine and his newfound love of westerns, praises the timeless exploration of morality in 12 Angry Men, and looks back on auditioning for No Country for Old Men.
The actor shares her longtime love for the films of Akira Kurosawa, talks about seeing Children of Paradise at an art-house cinema in the 1940s, and fondly recalls riding a scooter with Richard Roundtree.
The writer, director, and actor returns to the Criterion Closet, where he shares how he and cinematographer Maceo Bishop studied documentaries like The War Room when making their new film The Smashing Machine, shouts out the singular performances in Carnal...
The singer-songwriter shares why Thelma & Louise was a North Star when writing her first album, praises the way Days of Heaven immerses viewers in its beauty, and talks about her deep affection for Grey Gardens.
The actor reminisces about falling in love with Josef von Sternberg and Marlene Dietrich’s collaborations at a young age, praises Andrea Arnold’s distinct vision, and talks about how David Cronenberg’s films strike a unique balance between the extreme and the...
The actor praises the Dardenne brothers compassionate approach to filmmaking, talks about Michael Haneke’s use of long takes in Code Unknown, and gets excited to explore The Wes Anderson Archive.
The actor shares her memories of watching Fanfan la Tulipe as a child, talks about her deep connection to Hedwig and the Angry Inch, and expresses the importance of art and cinema in her life.
The writer, director, and actor talks about the formative influence of Richard Linklater and the Coen brothers, does his best impression of Brenda Blethyn in Secrets & Lies, and shares why Close-up transcends the bounds of cinema.
The actor talks about Steven Soderbergh’s use of nonlinear storytelling in Traffic, shares how Sid & Nancy continues to inspire him as a performer, and praises the visual poetry of Drugstore Cowboy.