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To the Sea

December Books

The Daily

Dec 18, 2018 — Whatever your cinephilic interest—cinematography, acting, criticism—there’ll likely be a new book to take with you into the holidays.

Nov 18, 2018 — This sensuous, sprawling epic, which Ingmar Bergman intended to be his swan song, offers an effortless summing up of the themes—among them family, identity, and mortality—he'd spent a career exploring.

Oct 29, 2018 — At eighty-six, the renowned director and screenwriter stars in Kenneth Lonergan’s The Waverly Gallery.

Jul 12, 2018 — Hong Sangsoo, Bruno Dumont, and Radu Muntean are among the filmmakers premiering new work at the seventy-first edition.

Silent Revivals

The Daily

Jun 1, 2018 — The San Francisco Silent Film Festival is on through the weekend. Plus, Louise Brooks in the UK and Anna May Wong in Berlin.

May 9, 2018 — In this followup to Embrace of the Serpent, a mob story is interwoven with Wayúu Native American rituals.

Apr 8, 2018 — Saige Walton and Nadine Boljkovac introduce the dossier “Materializing Absence” in the new issue of Screening the Past: “We start from the central premise that absence in screen media is not ‘nothing’—that absence itself is always invested with material attributes....

Mar 20, 2018 — “More than forty-two years after principal photography wrapped on Orson Welles’s The Other Side of the Wind, a ‘locked picture’ is finally in place,” reports Ray Kelly at Wellesnet. “It is being color-corrected with sound work continuing as the movie...

Mar 8, 2018 — The first item to be mentioned is Martin Scorsese’s post on Instagram the other day: “That’s a wrap!” Principal photography on The Irishman, starring Robert De Niro, Al Pacino, Joe Pesci, Anna Paquin, Bobby Cannavale, Harvey Keitel, and Ray Romano,...

Feb 15, 2018 — First up, that's Robert Pattinson in the image up there, the first, released just today, from Claire Denis’s High Life. Secondly, Ioncinema’s countdown of the most anticipated American independent films of 2019—again, twenty-nineteen—continues with notes on Shane Carruth’s The Modern...

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