The Report

May 26, 2022 — The top awards at this year’s Critics’ Week go to stories of young people with uncertain futures.

May 25, 2022 — Park returns to the competition in Cannes with a Hitchcockian murder mystery.

May 24, 2022 — While some critics expected more gore, others see a wryly wise reflection on our biological future.

May 17, 2022 — A new restoration of The Mother and the Whore launches Cannes Classics before Final Cut officially raises the curtain.

May 10, 2022 — The director of Ex Machina and Annihilation returns, and many critics have questions.

May 5, 2022 — A coincidental set of screenings and openings almost seems to be responding to the impending reversal of Roe v. Wade.

Apr 28, 2022 — For half a century, the Indian documentarian has won accolades abroad while fighting censorship at home.

Mar 24, 2022 — Yes, it’s a trip to the moon, but mostly, it’s a lovingly detailed recollection of being a kid in Houston in the summer of 1969.

Mar 22, 2022 — This month’s roundup opens with news of forthcoming titles on the work of Pasolini, Kubrick, Sofia Coppola, and Bong Joon Ho.

Mar 11, 2022 — This week’s roundup roams from pre-Code Hollywood to the New Hollywood of the 1970s.