The Criterion Collection
Jul 20, 2021 — Pedro Almodóvar will open Venice, and Toronto will bring several Cannes favorites to North America.
Jul 19, 2021 — When Dennis Lehane joked in 2011 that the only real difference between Greek tragedy and noir was that in the former characters fall from great heights and in the latter they drop from the curb, he was pinpointing something simultaneously...
The Daily
Jul 15, 2021 — The annual showcase of emerging talent wraps its sixtieth edition with the presentation of six awards.
Jul 13, 2021 — One of the most remarkable Black films released in the 1990s, Bill Duke’s Deep Cover (1992) is an uncompromising film noir that uses the so-called war on drugs as its backdrop. The story follows Russell Stevens (Laurence Fishburne) as he...
Jul 13, 2021 — Miles: I just sold a building on the Lower East Side and tripled my money Molly: There’s a lot of that happening these days. Released the year before Oliver Stone’s Wall Street (1987), Working Girls, a film about sex work, is a sharper by far...
The Daily
Jul 9, 2021 — One of the most irreverent and boisterously funny voices in American underground cinema has died at eighty-five.
The Daily
Jul 7, 2021 — Cannes’ opening night film has thrilled some critics, disappointed others, and left a few simply confused.
Features
Jul 7, 2021 — In the 1990s, Hong Kong was home to a staggering number of the most gifted and charismatic actors in the world. It’s impossible to imagine the films of Wong Kar Wai—or the global art-house phenomenon they generated—without these extraordinary performers;...
The Daily
Jul 6, 2021 — As the festival adds one last title to its lineup, attendees, vaccinated or tested, are once again streaming up and down the Croisette.
Features
Jun 30, 2021 — First Person The first thing I’d like to note is that long before I was briefly an usher in a movie theater, my father was briefly an usher in a movie theater. That might not be so much in my...