The Criterion Collection
Feb 2, 2011 — This essay first appeared in the winter 2010 issue of Brick, a literary journal based in Toronto. It is posted here by permission of the author. Michelangelo said he could sense the figure in the uncut stone; his job was...
Sep 19, 2005 — When I was a teenage cinephile, in the mid-1970s, Masculin féminin was enormously significant to me. It represented France’s nouvelle vague of the sixties, with its youthful, anarchic spirit of freedom and spontaneity. It was in black and white and...
Oct 2, 2025 — In Wes Anderson’s romantic ode to journalism, the director grapples with the danger and horror inherent in any field of endeavor worth pursuing.
The Daily
Feb 19, 2025 — Richard Linklater and Ethan Hawke reteam to prove once again that few can make talk livelier or more engaging.
Essays
Jul 6, 2021 — The fourth of Andrei Tarkovsky’s seven features is his most oneiric and resistant to interpretation, drawing from the director’s own childhood memories to create a fluid sense of history.
Jun 17, 2019 — Performances I can’t remember a time in my childhood when I saw a grown-up cry. It wasn’t that the elders around me were all that even-tempered; most of them were no less capable of lashing out in anger or indignation...
The Daily
Sep 8, 2018 — The star of over a hundred movies wielded his laid-back charisma to conquer the box office throughout the 1970s.
Feb 26, 2015 — The threat of death hangs over Watership Down, Martin Rosen’s wise and uncompromising animated adaptation of Richard Adams’s classic novel about rabbits on a survival mission.
Jan 11, 2011 — His most personal film as well as the final one to deal with the German occupation of France, Jean-Pierre Melville’s thriller showcases human consciousness grappling with mortality.