Say One for Me

Oct 24, 2011 — “For a long time I stayed away from the Acropolis,” says the narrator of Don DeLillo’s novel The Names. “It daunted me, that somber rock. I preferred to wander in the modern city, imperfect, blaring. The weight and moment of...

Dec 13, 2010 — If you’ve read Faber & Faber’s 1998 publication of the Sweet Smell of Success screenplay, you already know from the book’s afterword that director James Mangold (Girl, Interrupted; Walk the Line) studied under the late filmmaker Alexander Mackendrick in the...

Dec 1, 2009 — This nonfiction masterwork by David and Albert Maysles and Charlotte Zwerin is a terrifying snapshot of the sudden collapse of the sixties.

May 13, 2009 — Alexander Korda’s oeuvre is often characterized as larger-than-life, undoubtedly in part because the figures he was attracted to—kings and queens, legendary lovers and great artists—were often extraordinary.

Jan 19, 2009 — In 1929, a fifty-one-year-old Congregationalist pastor named Lloyd C. Douglas published his first novel. It was a ramshackle sort of book, at its core an undiluted Christian sermon on the life-transforming power of charitable works. But it was a sermon...

Dec 2, 2008 — The Danish director explains movie magic and confesses his carnal sins in this impassioned artist statement written to accompany the films that make up his Europe Trilogy

Nov 27, 2008 — An enormous welter of insoluble problems is on display in Luis Buñuel’s classic—the ending solves nothing; the story just begins again.

Jul 21, 2008 — Akira Kurosawa’s modern adaptation of an American thriller represents a departure from his usual themes and stylistic choices.

Jun 25, 2007 — Chris Marker’s masterpiece is a cinematic essay and travel film made up of asides and digressions that form a portrait of late twentieth-century civilization.

Apr 24, 2006 — This influential crime thriller, designed purely as a genre exercise, is the first in the long series of anomalies that was Louis Malle’s career.