The Criterion Collection
Essays
Oct 25, 1994 — Kenji Mizoguchi develops his medieval fable about moral freedom and slavery with intuition, cunning, and an overarching sense of tragedy.
Oct 15, 2050 — Voice-over narration has existed since the beginnings of cinema and has been an integral part of some of the great masterworks of narrative film, from The Magnificent Ambersons to Double Indemnity to Jules and Jim to Taxi Driver. It spans...
May 31, 2022 — Wayne Wang’s breakthrough feature, a milestone in Asian American cinema, is a humorous and intimate snapshot of San Francisco’s Chinatown.
Interviews
Jun 30, 2025 — An up-and-coming director reflects on the resourcefulness and scrappy ingenuity that went into making his three films, now playing on the Criterion Channel.
Jun 19, 2024 — A masterpiece from the golden age of Mexican cinema, Emilio Fernández’s film is a prime example of the cabaretera film, an offshoot of the popular “prostitute melodrama” genre.
Apr 6, 2022 — A playfully philosophical drama, My American Uncle has been largely forgotten, yet it is the most down-to-earth of the French master’s exhilarating engagements with modernist aesthetics.
May 29, 2018 — John Schlesinger’s Midnight Cowboy is a milestone along several different paths of movie history, all of which converged at the majestically seedy crossroads of Times Square in the spring of 1968.
Features
Jul 31, 2017 — What is the defining characteristic of the femme fatale? Critic Imogen Sara Smith explores the range of this film noir archetype through a handful of classic performances.
Apr 29, 2015 — Peter Yates's crime drama is a haunting, singular experience, brutal and minutely observed, with a remarkably authentic sense of place.
Jul 31, 2012 — Aki Kaurismäki’s latest working-class fable is his warmest, and his most political.