Mar 31, 2026 Violently nihilistic, simultaneously energizing and crushing, Tsui Hark’s remake of the martial-arts classic One-Armed Swordsman captures the zeitgeist of pre–1997 handover Hong Kong.

Mar 30, 2026 This year’s Hong Kong International Film Festival will present twelve Chinese-language classics.

Mar 26, 2026 The star of Lady Snowblood and the Stray Cat Rock and Female Prisoner Scorpion series will be taking questions.

Mexico Noir

The Daily

Mar 24, 2026 Novelist Silvia Moreno-Garcia programs a series of films by Roberto Gavaldón, Julio Bracho, Emilio Fernández, and Luis Buñuel.

True/False 2026

The Daily

Mar 4, 2026 Twenty-one world premieres, several critical favorites from Sundance, and the True Vision Award for Ross McElwee.

Mar 2, 2026 A New York retrospective offers Eyes Without a Face, naturally, but also rarely screened features and nonfiction shorts.

Feb 25, 2026 The director of Civic and Now, Hear Me Good talks about how his experience as a first-generation Caribbean American and his love of Chantal Akerman’s short La chambre have influenced his work.

Feb 24, 2026 For this existential noir, Joel and Ethan Coen drew inspiration from crime-fiction master James M. Cain’s lean, hard-boiled style and interest in the quotidian world of work.

Feb 6, 2026 There’s an AI-driven reconstruction of The Magnificent Ambersons underway, a restoration of Michael Almereyda’s Nadia in theaters—and more.

Seoul After Dark

The Daily

Feb 5, 2026 Bong Joon Ho, Park Chan-wook, and Hong Sangsoo select films to screen in a series celebrating the Korean Film Archive.

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