In the House

Aug 13, 2007 — Cría cuervos . . . , Carlos Saura's political and psychological masterpiece, was shot in the summer of 1975, as Spanish dictator Francisco Franco lay dying, and premiered in Madrid's Conde Duque Theatre, on January 26, 1976, forty years after...

Jul 29, 2002 — Viewing Kon Ichikawa’s film of the 1964 Summer Games in Tokyo, it is apparent that even then his main idea (despite the more than 150 cameras available to him) was to present a fragmented picture of the Games, rather than...

Oct 23, 2024 — This once-maligned horror film is an unsparing exploration of sexual violence, remarkably centered on a complex, fully realized female protagonist, played courageously by Barbara Hershey.

Feb 12, 2021 — In an interview with bell hooks published in 1996, Camille Billops responded to a question about the transgressive candor of her films by saying “It is probably exhibitionism on my part [. . .] some people say our films have...

Dec 23, 2019 — Fear and desire lie at the heart of Peter Strickland’s cinema, whether he’s exploring those themes through the sonic, the sexual, the sartorial, or some diabolical combination of all three. With his masterful sense of film technique, the British director...

May 30, 2017 — Lino Brocka brought an invigoratingly personal and socially conscious vision to Philippine cinema with this gritty portrait of Manila barrio life.

Oct 7, 2015 — It’s night in the desert. Mike (River Phoenix), a teenage hustler given to bouts of narcolepsy, and Scott (Keanu Reeves), a slumming preppy prince, are huddled over a campfire. “I just want to kiss you, man,” says Mike softly. The...

Dec 10, 2013 — In 1998, I interviewed Little Edie Beale, the surviving star of 1976’s Grey Gardens, one of the Maysles brothers’ numerous masterworks (Gimme Shelter, Meet Marlon Brando, and With Love from Truman are equal in technical and emotional innovation). Miss Beale,...

Feb 2, 2011 — These tributes first appeared in the winter 2010 issue of Brick, a literary journal based in Toronto. They are posted here by permission of the authors. The photographs appear courtesy of Colleen Murphy.   Colleen Murphy After we decided to...

Jan 18, 2011 — By 1963, when he started filming Shock Corridor on a rented soundstage, Samuel Fuller had come ruefully and puckishly to view himself as a “Lindy,” a diminutive for Charles Lindbergh designating a prostitute who, like the famous aviator, operates solo,...