The Criterion Collection
The actor talks about what Andrei Tarkovsky’s films have taught him about stillness in cinema, reflects on the various adaptations of The Talented Mr. Ripley, and shares his formative experience of seeing London on-screen in My Beautiful Launderette and Mona...
The writer-director of Europa Europa and Green Border talks about Agnès Varda’s influence on women in cinema, praises contemporary masterworks like Parasite and Anatomy of a Fall, and shares why she always returns to Diamonds of the Night before making...
The comedian, actor, and author reflects on what Alex Cox’s Walker has to say about American history, talks about the subtle depth of Two-Lane Blacktop, and praises performances by Peter Falk and Walter Matthau.
The legendary auteur returns to the Criterion Closet, where he selects new editions of favorite films like Down by Law and Wanda, talks about Kurosawa’s genius for recreating weather on-screen, and shouts out his former assistant director Claire Denis.
The front man of the band Neon Indian—who just released his debut solo album, World of Hassle—praises the “completely demented” Maîtresse, discusses the representation of Texas in True Stories, and gives us his best Peter Falk impression.
The Daily
Mar 13, 2026 — SXSW opens, Another Gaze returns, and Juliette Binoche is on tour with her directorial debut.
The Daily
Mar 6, 2026 — Jonathan Rosenbaum returns to the Reader, there’s a new Cineaste, plus: Hiroshi Shimizu, John Akomfrah, and Robert Vas.
Jun 10, 2024 — The Canadian filmmaker and artist reflects on his award-winning 1996 breakthrough, a work of voluptuous style and fierce political commitment that remains a landmark of New Queer Cinema.
The Daily
Apr 9, 2024 — This year’s edition features a rediscovered short starring Clara Bow, a precursor to the folk horror craze, and a whole lot of gags from Harold Lloyd.
Essays
May 30, 2023 — Seamlessly blending an array of cinematic traditions, Thelma & Louise is more than anything a western—one that takes advantage of the genre’s elasticity and reflects its preoccupation with justice, liberty, and self-determination.