The Criterion Collection
Dec 20, 2019 — The following account was scratched together in August 1990, when Wim Wenders’ Until the End of the World was still taking shape in the editing room. Apart from a basic rinse of copy editing, I’m offering it up essentially as is,...
Nov 22, 2019 — Critics are praising the French New Wave icon’s joyous and reflective final film, which hits theaters in New York this week.
The Daily
Oct 7, 2019 — Critics respond to the New York Film Festival’s selection of new moving image art.
The Daily
Oct 4, 2019 — Artists’ and amateurs’ videos, Ida Lupino, and TIFF Cinematheque programmers’ notes all figure in this week’s round.
Sep 12, 2019 — A new web resource spearheaded by Su Friedrich celebrates women editors from around the world, highlighting work that has long been obscured by the masculinism of auteurist film culture.
The Daily
Aug 13, 2019 — As Toronto’s full lineup nears completion, New York looks to expand upon “our notions of what the moving image can do and be.”
Jul 29, 2019 — The late Dutch actor worked with directors as varied as Paul Verhoeven, Ermanno Olmi, Ridley Scott, and Nicolas Roeg.
Jun 11, 2019 — In the mid-1970s, a poet’s circus rolled through the northeast, manifesting the spirit and confusion of the era.
Interviews
May 29, 2019 — In Anna Biller’s vibrantly colored fantasias, there’s not a glimmer of a sequin that hasn’t been envisioned by the artist herself. A writer, director, actor, producer, editor, composer, costume and production designer, and set decorator, she’s a one-woman studio, building...