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Call of My Life

A Theater Near You

The Daily

Jun 10, 2025 At MoMA, curator David Schwartz celebrates seventeen landmark New York screening venues.

Sep 25, 2023 There was a period under the Nixon administration when the collective American psyche, as seen on film, seemed almost convulsed by its fixation on the motor vehicle. Every other week a moviegoer might see a film that could broadly be...

December Books

The Daily

Dec 21, 2020 This month we’re reading David Bordwell on the Massive Auteur Monograph, Rachel Kushner on Marguerite Duras, and Adam Gopnik on early animation.

Mar 26, 2019 It’s the afternoon of February 8, 1964, and Ed Sullivan has assembled a gaggle of CBS ushers to talk about tomorrow night’s show, featuring the four lads from Liverpool who call themselves the Beetles—strike that, the Beatles. He needs to...

Sep 21, 2017 The big “in the works” news today is the release of the trailer for Wes Anderson’s Isle of Dogs, embedded below. According to the official synopsis from Fox Searchlight, Anderson’s second stop-motion animated feature after Fantastic Mr. Fox (2009) “tells...

Feb 19, 2016 The filmmaker, who began his career as a stage director and designer before shifting his focus to movies, swung by for a chat about his new film and his lifelong affinity for the macabre.

Jan 17, 2012 “I felt they showed more of me than they’d said they were going to,” Catherine Deneuve remarked to Pascal Bonitzer in 2004, about the making of Luis Buñuel’s 1967 Belle de jour. “There were moments when I felt totally used....

Jul 24, 2025 Directed by Jack Bond, It Couldn’t Happen Here is a strange and compelling document of the synth-pop duo at the height of their success, as well as a darkly absurdist send-up of provincial England in the Thatcher era.

Sep 19, 2024 Early reviews of the adaptation of a William S. Burroughs novel starring Daniel Craig run hot and cold.

Jan 24, 2023 Filled with evocative images and guided by the unique aesthetic sensibility of the landlocked kingdom of Lesotho, Lemohang Jeremiah Mosese’s film is an exploration of the power of grief that is paradoxically uplifting.

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