Alone

Apr 2, 2018 — Updates are still coming into the first entry on this year’s New Directors/New Films running at the Film Society of Lincoln Center and the Museum of Modern Art in New York. This entry will take us all the way through...

Mar 28, 2018 — Even if you won’t be anywhere near Ghent from today through Sunday, you’ll want to know about the Courtisane Festival. The program for this year’s edition alone will likely have you making mental notes on films to add to your...

Mar 22, 2018 — David Lynch and Mark Frost’s Twin Peaks: The Return comes in at #1 on the Cinema Scope Top Ten of 2017 and, as editor Mark Peranson points out, all the other titles on the list have been covered in past...

Mar 13, 2018 — Martin Scorsese brought his trademark attentiveness to the intricacies of social custom to this devastating adaptation of an Edith Wharton novel.

Mar 5, 2018 — Along with 132 short films and a slew of masterclasses, installations, discussions, and other events, the Berlin International Film Festival presented 253 features this year. I managed to catch twenty-seven of them, and Adina Pintilie’s Touch Me Not, winner of...

Mar 1, 2018 — “His face did something to me. Or, rather, the film, with its compassion and its utterly jarring ending, which I won’t give away, did something to me. But, then again, you could also say that, in some sense, the film...

Feb 27, 2018 — Director Tony Richardson refracts the bawdy spirit of the 1960s through this brilliantly distilled take on an eighteenth-century picaresque.

Feb 25, 2018 — “Sridevi Kapoor, best known by her mononym Sridevi and a major Bollywood star, died Saturday night in UAE of cardiac arrest,” reports Erin Nyren for Variety. “Sridevi worked in Tamil, Telugu, Malayalam and Kannada films before debuting in Hindi films....

Feb 19, 2018 — Jonathan Demme put an uncompromisingly feminist spin on the law-enforcement procedural with this wildly successful, Oscar-winning drama.

Feb 14, 2018 — With her acclaimed new film Western opening in theaters this week, we spoke with German director Valeska Grisebach on the romantic ideals of the quintessential American genre.