The Criterion Collection
The writer and director of Vermiglio expresses her love for the poetry of Ermanno Olmi, praises how Michael Haneke’s films cut right to your heart and mind, and celebrates the emotional power of The Piano.
The director of Flow praises the mixture of abstraction and emotion in Woman in the Dunes, talks about how Martin Scorsese played by his own rules with After Hours, and selects his comfort movie, Fantastic Mr. Fox.
The legendary director joins the star of his new film Hard Truths in the Criterion Closet, where they share their love for Akira Kurosawa and Charles Burnett, reminisce about early moviegoing experiences, and select favorites for each other.
The actor and producer praises Anthony Hopkins’s performance in The Silence of the Lambs, shares why Badlands has one of cinema’s best car chases, and celebrates an Australian favorite, Breaker Morant.
The legendary director shares the importance of learning from the work of Krzysztof Kieślowski, talks about how Straw Dogs sparked his desire to pursue filmmaking, and selects box sets by two of his favorite filmmakers, Martin Scorsese and Masaki Kobayashi.
The singer and actor reflects on Marlon Riggs’s Tongues Untied and the importance of seeing Black queer men express themselves on-screen, talks about working with Regina King on One Night in Miami . . ., and selects favorites by Carl...
Few musicians have had such a profound effect on the evolution of twentieth-century popular music as the legendary record producer, multi-instrumentalist, composer, and twenty-eight-time Grammy winner.
The host of the hit interview show Chicken Shop Date talks about Portrait of a Lady on Fire and being drawn to films with undeniable chemistry, praises 12 Angry Men as one of the greatest films of all time, and...
In celebration of Halloween, the singer-songwriter, actor, and producer shares her spooky season favorites, highlighting both the spine-tingling sensations and social undercurrents that permeate such classics as Night of the Living Dead, Brazil, and Eraserhead.
The director of All Quiet on the Western Front and Conclave shares his love for Downhill Racer and its innovative sound design, talks about the emotional impact of Cold War, and selects a few of Roberto Rossellini’s films featuring Ingrid...