The director of Cowboy Bebop shares his love for The Killing of a Chinese Bookie and how John Cassavetes blurred the line between fictional drama and realism, talks about what makes Branded to Kill a mesmerizing masterpiece, and finds inspiration...

The writer and director shares his love for Monterey Pop and the way it acts as a time capsule of its era, talks about how The Worst Person in the World redefined the romantic comedy, and praises Wes Anderson’s use...

An epic elegy set in 1920s Oklahoma, a vision of life in the wake of nuclear devastation, one of the most intoxicating love stories ever told, a Hong Kong action tour de force, a hard-boiled gangster noir, and an irreverent...

The actor and director talks about what makes Fantastic Mr. Fox a household favorite, shares how Gina Prince-Bythewood inspired her to step behind the camera, and praises Diahann Carroll and her performance in Claudine.

The actor talks about studying Charlie Chaplin’s performance in City Lights, shows off his tattoos inspired by After Hours and Slacker, and selects favorite coming-of-age movies by Harmony Korine and Andrea Arnold.

The writer, director, and producer praises Black Orpheus and Killer of Sheep as his favorite works of Black cinema, talks about the influence of Risky Business on his film House Party, and admires the depth of Bruce Lee’s performance in...

The actor talks about showing Seven Samurai to all of his children, celebrates Katrin Cartlidge's performance in Naked, and shares why City Lights never fails to make him cry.

The writer and director of Magellan praises the use of silence and space in Le samouraï, talks about how Mike Leigh and Kenji Mizoguchi explore the human condition in their films, and selects his good friend Béla Tarr's Werckmeister Harmonies.

The singer-songwriter selects films that have had a deep influence on her music and visual style, shares how seeing Pina changed her as a performer, and talks about the portrayal of girlhood in Valerie and Her Week of Wonders.

The Criterion Closet’s very first guest stops by the Mobile Closet at the Toronto International Film Festival, where he examines the technical brilliance of a scene in Notorious, shares why he feels a kinship with Wes Anderson, and talks about...

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