As Testemunhas

May 15, 2013 — Delmer Daves’s 3:10 to Yuma, driven by compelling mano a mano suspense, is quite a yarn. It’s no surprise, then, that it’s based on a story by the estimable Elmore Leonard. Known predominantly for his crime fiction such as Get...

May 14, 2013 — Delmer Daves’s classic western is psychologically probing, magnificently shot, and fascinatingly ambiguous.

May 13, 2013 — Delmer Daves’s visually majestic, emotionally charged western finds its drama in the decency of its characters.

May 8, 2013 — There’s fashion forward and then there are the gonzo styles featured in William Klein’s surreal and savage Who Are You, Polly Maggoo?. A  poke to the ribs of 1960s haute couture and a skewering of media pretension, Klein’s visually daring...

May 7, 2013 — Blame it on the Madison. Or blame it on Arthur, Franz, and Odile’s gleeful race through the Louvre in an attempt to break the world record (held by an American, of course) for the quickest visit ever. Blame it on...

May 6, 2013 — The films of Max Ophuls, whose birthday we celebrate today, are luxuriously cinematic. His camera glides and tracks and cranes; we viewers swoon. But, as Molly Haskell has written, “the roving camera and the visual glissandos are never virtuoso flourishes...

Apr 22, 2013 — Restoration SpotlightShot in VistaVision and Technicolor, Richard III is the most eye-catching of Laurence Olivier’s essential big-screen Shakespeare adaptations. For years, it couldn’t be seen in its original glory, due to lost footage, faded colors, chemical staining, and missing frames....

Apr 22, 2013 — A vivid portrait of a ruthless murderer, Laurence Olivier’s Technicolor Shakespeare adaptation is back in a killer restoration.

Apr 17, 2013 — Four of the great Japanese director’s lesser-known, early films show the coming into being of a political artist.

Apr 16, 2013 — With its idiosyncratic humor, killer soundtrack, and middle finger to Reagan-era politics, Alex Cox’s film was the perfect cult hit for the golden age of the video store.