The Criterion Collection
The singer, songwriter, actor, and producer reminisces about having her mind blown by Céline and Julie Go Boating, shares how watching David Cronenberg’s movies helped her escape the repetitiveness of life on the road and praises the unabashed beauty of...
The writer, director, and producer praises Black Orpheus and Killer of Sheep as his favorite works of Black cinema, talks about the influence of Risky Business on his film House Party, and admires the depth of Bruce Lee’s performance in...
The actor and director shares her love for the films of Céline Sciamma, talks about the Olympic Games documentary Visions of Eight, and reminisces about watching Berlin Alexanderplatz with her mom.
The writer and director talks about the impact that Vittorio De Sica’s Bicycle Thieves has had on his life and how seeing it for the first time revealed the kind of cinema he wanted to amke himself.
The writer and director of Magellan praises the use of silence and space in Le samouraï, talks about how Mike Leigh and Kenji Mizoguchi explore the human condition in their films, and selects his good friend Béla Tarr's Werckmeister Harmonies.
The singer-songwriter selects films that have had a deep influence on her music and visual style, shares how seeing Pina changed her as a performer, and talks about the portrayal of girlhood in Valerie and Her Week of Wonders.
The actor and producer praises the groundbreaking work of martial-arts legends Bruce Lee and Jackie Chan, shares her love for Alfonso Cuarón’s Roma, and remembers the thrill of seeing The Grifters for the first time.
The rapper, actor, and producer praises The Others as a “certified banger,” selects My Crasy Life and talks about the importance of chronicling the world around you, and finds inspiration in Melvin Van Peebles’s creative endurance
The writer and director expresses that Tampopo is really about “what lies in the depths of the human heart,” explains how Carl Theodor Dreyer’s films depict feelings and ideas that can only be portrayed through cinema, and admires Federico Fellini’s...
The editor of the New Yorker feels honored by the tribute to the magazine in The French Dispatch of the Liberty, Kansas Evening Sun, urges patience to appreciate Stan Brakhage’s experimental cinema, and finds parallels between the experiences of watching...