The Criterion Collection
Jul 10, 2009 — Writes Al Reinert, director of For All Mankind: “Having your film in the Criterion Collection is like marrying your daughter into an old distinguished family that intimidates and humbles you. She might feel at home there, but I am inclined...
Jun 19, 2009 — Forty-six years ago, Last Year at Marienbad opened in London. Resnais and Robbe-Grillet came over for the press screening, and I chatted to them in the lobby of the now defunct Cameo-Poly art house on London’s Upper Regent Street. Resnais...
Jun 9, 2009 — “It’s worth noting that I have not seen the majority of the films in the collection (giving me hundreds of hours of great stuff to look forward to!),” says Joe Swanberg. “But of the many that I have seen, the...
May 13, 2009 — It doesn’t really come as a surprise that Chris Marker is a devoted inhabitant of the virtual world Second Life. After all, one could call the playful French filmmaker and multimedia artist’s kitty—and alter ego—Guillaume-en-Egypt a trailblazing avatar (when asked...
Apr 27, 2009 — The idea of making a film about Japan’s most famous sex crime, with a decent budget and in conditions of complete freedom, reawakened Nagisa Oshima’s desire to direct—and the prospect of circumventing Japanese censorship must have made the decision even...
Apr 23, 2009 — This interview, conducted by Michael Henry, first appeared in the May 1978 issue of Positif.
Apr 16, 2009 — Next week, we release a definitive, three-disc set of the short documentaries of Jean Painlevé (1902–89), the pioneering French scientist-educator-filmmaker (and sometime Dadaist) whose mesmerizing studies of marine life, especially, have been attracting wide audiences and new fans for decades...
Apr 15, 2009 — Artist Jaime Hernandez’s diabolically clever illustrations for our release of Divorce Italian Style (now available as a signed art print at the Criterion store) made for one of our most popular DVD covers. And this month, Hernandez has sent us...
Apr 6, 2009 — Paris is turning into Tativille starting tomorrow, April 8, until August 2, with the Cinémathèque française’s appropriately large-scale retrospective of the famously ambitious French filmmaking legend’s work, “Jacques Tati, deux temps, trois movements.” Curated by Stéphane Goudet and Macha Makeïeff,...