The Criterion Collection
The Daily
Oct 12, 2017 — Last week, after years of rumors and aborted attempts to bring it to light, Hollywood’s “open secret” finally became a story fit to print. On Thursday, October 5, Jodi Kantor and Megan Twohey reported for the New York Times that...
The Daily
Aug 3, 2017 — We’ve seen the lineups for the Gala and Special Presentations and for the TIFF Docs, Midnight Madness, and Short Cuts programs. Today, the Toronto International Film Festival, whose forty-second edition runs from September 7 through 17, presents its lineup of...
May 21, 2017 — Sea Sorrow, premiering Out of Competition at the Cannes Film Festival, is Vanessa Redgrave’s directorial debut. “A heartfelt, formally messy documentary about the international refugee crisis, the movie is largely a plea for compassion and action,” writes Manohla Dargis in...
Essays
Feb 5, 2017 — Kirsten Johnson interrogates the thorny ethics of nonfiction filmmaking in her intriguingly elliptical blend of essay, travelogue, and memoir.
May 27, 2015 — Costa-Gavras’s political drama sheds disturbing light on the violent methods used by governments to maintain order.
Jul 22, 2014 — Jeanne Moreau’s flighty, enigmatic Jackie in Jacques Demy’s poetic drama is in the great tradition of dreamy Demy heroines.
Oct 24, 2011 — “For a long time I stayed away from the Acropolis,” says the narrator of Don DeLillo’s novel The Names. “It daunted me, that somber rock. I preferred to wander in the modern city, imperfect, blaring. The weight and moment of...
Essays
Oct 13, 2020 — I know I need somethingOr someone. From “Cotton Candy on a Rainy Day” (1978), by Nikki Giovanni While the screen is still dark, Gladys Knight’s voice drifts in, in a strong, sincere belt: “How can I / Work out this...
Feb 6, 2019 — On the Criterion edition of Secret Sunshine, Lee Chang-dong describes his creative process as one of utter despair. That should come as no surprise to anyone who knows his work. Since making his feature debut, Green Fish, in 1997 at...
Essays
Nov 25, 2014 — More than just observational, Les Blank’s sensual documentaries are personal and participatory celebrations of American culture.