The Criterion Collection
May 6, 2018 — The filmmaker and consultant had an immeasurable impact on cinema for over half a century.
Features
Apr 2, 2017 — What defines noir acting? In her latest Dark Passages column, Imogen Sara Smith examines the stylistic variety in some of the genre’s most iconic male performances, including Burt Lancaster in The Killers and Ralph Meeker in Kiss Me Deadly.
The Daily
May 7, 2024 — This year’s edition features work by Michel Khleifi, Antoinetta Angelidi, Amit Dutta, Raúl Ruiz, and Tsai Ming-liang.
The Daily
Apr 11, 2022 — Whit Stillman pays tribute to illustrator Pierre Le-Tan and Genevieve Yue, Gary Indiana, and Dennis Lim discuss their new books.
Jul 5, 2020 — Among today’s most revered jazz musicians, pianist and composer Jason Moran stands out for how seamlessly he blends tradition and innovation. Throughout his now two-decade career, he has honored the complex history of one of America’s most storied art forms...
The Daily
Sep 7, 2018 — Hoberman on Romero, Anderson on Godard, Gallagher on Ford, filmmakers’ top fifties, and more.
Jun 8, 2018 — Both Italian directors broke from neorealism to head off in entirely different directions.
The Daily
Dec 7, 2017 — “After mining the American soul (Boogie Nights, There Will Be Blood, The Master) as brilliantly as any working director has in the last fifty years,” begins Robert Abele at TheWrap, “Paul Thomas Anderson moves to 1950’s England for Phantom Thread,...
Aug 13, 2015 — The films Agnès Varda made while living on the West Coast of the United States are some of the most searching and challenging of her stellar career.
Nov 11, 2002 — A second Monterey International Pop Festival has for the past month been put in jeopardy by a vicious handful of citizens, cops, and city officials in a small-town drama straight from Peyton Place and The Invaders.