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The Man Who Never Was

Apr 28, 2003 The sense of the difficulty of a real assumption of adulthood gives François Truffaut’s final Antoine Doinel film an undercurrent of anguish, despite its surface lightness.

November Books

The Daily

Nov 24, 2025 This month brings new collections from Melissa Anderson and A. S. Hamrah and a whole shelf of lives lived with the movies.

Sep 25, 2024 At a time when women were understood to be the primary audience for movies, Hollywood studios built vehicles for actresses that doubled as showcases for the industry’s many brilliant female screenwriters.

Apr 22, 2024 Fiercely committed to the possibilities of political art, the trailblazing director talks about how her intersectional understanding of feminism imbues her films, three of which are now playing on the Criterion Channel.

Jul 18, 2023 In her music, her films, and her often stormy romances, Birkin captivated us for more than half a century.

May 10, 2023 The critic and memoirist expands on her 2017 essay “What Do We Do with the Art of Monstrous Men?”

Jan 17, 2023 Despite her initial reluctance and a stifling contract with Howard Hughes, La Lollo became one of the top stars of the 1950s and ’60s.

Jan 4, 2023 New York’s Film Forum presents three recently restored short films that capture the writer in Istanbul, Paris, and London.

Nov 15, 2022 A box-office success that buoyed Hong Kong’s beleaguered movie industry in the early 2000s, this suite of crime films combines narrative intricacy and moral complexity with an abundance of megastar charisma.

Jul 20, 2022 The festival will screen new restorations of films by Edward Yang, Jean Eustache, Pier Paolo Pasolini, and Yasujiro Ozu.

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