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The Dream

Jan 8, 2024 The National Society of Film Critics and the Golden Globes have us surveying the latest round of best-of-2023 lists and overviews.

Aug 21, 2023 Channel Calendars This September, the Channel welcomes you back to school . . . where something sinister is afoot. Our High School Horror collection brings together cult classics and teen-slasher favorites for a bloodcurdling look at the scary side of...

Mar 24, 2022 Yes, it’s a trip to the moon, but mostly, it’s a lovingly detailed recollection of being a kid in Houston in the summer of 1969.

Jun 29, 2020 Channel Calendars This July, the Criterion Channel celebrates unconventional artists who march to the beat of their own drum, with spotlights on indie iconoclast Miranda July, cutting-edge composer Ryuichi Sakamoto, downtown poet Sara Driver, lyrical documentarians Bill and Turner Ross, and formally...

Dec 20, 2019 The following account was scratched together in August 1990, when Wim Wenders’ Until the End of the World was still taking shape in the editing room. Apart from a basic rinse of copy editing, I’m offering it up essentially as is,...

Dec 10, 2019 Wim Wenders has often referred to his Until the End of the World (1991) as the “ultimate road movie,” and even he may not realize how accurate that description has turned out to be. It certainly was, and remains, the...

The Man Behind the Gore

On the Channel

Oct 25, 2019 When he set out to become a director in the early 1960s, Herschell Gordon Lewis wanted to work on the kinds of movies that the major studios could never dream of making. His taste for the perverse gave rise to...

Sep 27, 2019 Charlie Chaplin gave The Circus (1928) one of his favorite themes, some of his most sublime gags, and an incomparably poignant ending. It’s a hugely personal work, which draws on moments from his whole career, from his early stage work...

Aug 7, 2018 Can creative genius flourish on the federal dime? Animator Norman McLaren’s remarkably innovative, government-funded films suggest it can.

Jul 25, 2017 Albert Brooks brings the gift for comic deconstruction he honed in his stand-up career to this uproarious satire of baby boomer values.

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