The Criterion Collection
Essays
Jun 16, 2014 — Georges Franju evokes the surreal silent serials of Louis Feuillade while constructing his own personal cinematic paradise.
Mar 15, 2022 — The story of queerness in American cinema isn’t complete without the unusual case of These Three (1936) and The Children’s Hour (1961). Both films are based on Lillian Hellman’s 1934 play The Children’s Hour, inspired by an incident in which...
The Daily
Feb 4, 2021 — Here’s an overview of what critics have been saying about this year’s winners.
Sep 18, 2019 — One Scene The way some rock fans talk about the sanctity of live music, you’d think it was a guaranteed path to transcendence. But of course most concerts fall far short of the sublime, and the thrill of breathing in...
Sep 9, 2013 — As outré as it is, the most subversive thing about this classic farce is its take on what’s normal.
Aug 18, 2008 — This modest-scale psychological drama by Michael Powell and Emeric Pressburger follows an explosives expert with a drinking problem who harbors a great deal of bitterness.
Apr 25, 2005 — Pietro Germi offers locomotive relief in this comedy about the horrors of inertia.
Features
Sep 1, 2020 — It’s not impossible to be a lazy, shrug-it-off filmmaker, just as it isn’t to be a lazy painter or novelist, or, more to the point, a lazy comic artist, drawing each picture merely once and then moving on. (You could...
Dec 3, 2014 — “We were just in London, clubbing, all those things people did in the ’60s in the middle of London,” British actor Francesca Annis recalls, in an interview on the new Criterion release of Macbeth, of “crossing paths” with director Roman...
Mar 28, 2011 — Topsy-Turvy is both an anomaly among the films of Mike Leigh and, contrary as it may seem, a Rosetta stone. On the one hand, it is Leigh’s only costume picture and only biopic—a far cry from the bittersweet, realistic films...