The Criterion Collection
May 26, 2020 — Richard Ford’s 1990 novel Wildlife begins with this arresting sentence: “In the fall of 1960, when I was sixteen and my father was for a time not working, my mother met a man named Warren Miller and fell in love...
Features
May 22, 2020 — Walking, like breathing, is something we do without thinking, an activity so common that pedestrian has as its second meaning uninspired, ordinary, dull. But when this action appears in a movie, it is revealed as more than the original mode...
May 22, 2020 — In the wake of the #MeToo movement, “listen to women” became an omnipresent phrase, one that film programmer Nellie Killian found revealing. Giving space for women to talk about their lives has often been framed as a burden or obligation,...
The Daily
May 22, 2020 — This week’s round features the story behind John Cassavetes’s debut feature and conversations with Dan Sallitt and Jonathan Rosenbaum.
May 21, 2020 — Judy O’Brien, a ballerina working in a burlesque show to make ends meet, has finally had enough. In the middle of an especially humiliating performance, the audience’s jeering reaches such a peak that she stops, walks down center stage, hands...
The Daily
May 15, 2020 — Directors, actors, and critics look back on their most memorable moments in movie theaters, and the BFI spotlights the best of Japanese cinema.
Tech Corner
May 14, 2020 — Restoration Spotlight I was just coming of age as a moviegoer when digital video hit the big screens, around the turn of the twenty-first century. At the time, I remember being every bit as entranced by the gritty horror of...
May 8, 2020 — The opening and closing credits in a film are a form of housekeeping, fulfilling a legal obligation to compile the names of cast and crew who made the final product possible. Visionary designer Saul Bass saw the aesthetic potential in...
On the Channel
Apr 30, 2020 — Check out what’s in store next month on our streaming service!
The Daily
Apr 14, 2020 — The late filmmaker admired by Jonas Mekas, Apichatpong Weerasethakul, and George Lucas cofounded Canyon Cinema and the San Francisco Cinematheque.